Liss Llewellyn Fine Art - 20th Century British Art

Maxwell Armfield (1881-1972)   BIOGRAPHY

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As the crackling of thorns under a pot..., circa 1920
Framed (ref: 7791)
Tempera on panel
Signed with monogram and inscribed with title, 
and also inscribed in pencil The laughter of fools
10 x 91/2 in. (25.5 x 24 cm.)

 


Provenance: The Fine Art Society 1987; Private collection New York.


According to a note written by Armfield in 1971 (note book no VIII p 695) the title comes from Ecclesiastes 7.6 For as the crackling of thorn bushes under a pot, So is the laughter of the fool; And this too is futility.


Armfield might also have had in mind Psalm 58:9
Before your pots can feel the fire of thorns He will sweep them away with a whirlwind, the green and the burning alike.

“As crackling nettles under kettles,” “As crackling stubble makes the pot bubble” are the nearest English equivalents. The image is drawn from the Eastern use of hay, stubble, and thorns for fuel (Matthew 6:30; Psalm 118:12). A fire of such material, burnt up more quickly than the charcoal embers (Jeremiah 26:22; John 18:18), which were also in common use, but then it also died out quickly and left nothing but cold dead ashes. So it would be with the mirth which was merely frivolous or foul. That also would take its place in the catalogue of vanities.



Maxwell Armfield (1881-1972)

Painter and decorative artist, especially in tempera, and writer. Born in Ringwood, Hampshire, Armfield was educated at Birmingham School of Art - there is a Birminfham Arts and Crafts flavour in his pictures - then in Paris and Italy. Exhibited extensively, including RA, Fine Art Society, for long a noted dealer in his work, NEAC, Leicester Galleries and abroad. His work is held by the British Museum, provincial and overseas galleries. He illustrated about 20 books and wrote A Manual of Tempera Painting, Tempera Painting Today, An Artist in America and An Artist in Italy. During World War I, with his writer wife Constance Smedley, Armfield attempted to set up a high-flown peoples' Greenleaf Theatre in his studio, an abortive venture amusingly recalled by Margaret Gardiner in her book A Scatter of Memories. Armfield was a painter of landscape and still life well crafted and full of detail. Lived in Bath, Somerset.

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